What this painting asked of me became incredibly powerful medicine. Its unfolding allowed me to fully anchor into in a field of grace as one of my nearest and dearest soul friends crossed over into the next plane. I felt her with me in every brushstroke: effortless, at ease, and totally ensconced in joy, love, and a radiant, mysterious sense of adventure that echoed a deep sense of familiarity
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 Imagery of hands offering support in all directions has been evolving with me since the beginning of the pandemic.
As so much of the world that I knew, and the facades I identified with, began to drop away, I became inexplicably drawn to the circle and the color indigo as a means of self-soothing. Meditating on this singular shape and color was a way for me to establish a sense of certainty within myself, to feel anchored within the chaos and not-knowing that felt so overwhelming. The circle is one of the most ancient symbols used by humanity to communicate; it was utilized long before written language came into existence. As such, connecting with the circle connects us with the very roots of our evolution as a species: a sense of deep interconnection and belonging that has been with us long before we arrived. While the wisdom of the circle is both ancient and timeless, Carl Jung was the first westerner to observe and document how people naturally gravitate towards circular shapes during times of upheaval and transformation. He began working with the mandala as a means of understanding his own individuation as well as that of his patients. Resting within the mandala (Sanskrit for “sacred circle) allows both the viewer and creator to access a sense of calm within chaos; it is a powerful tool of the subconscious for calling back fragmented parts, of inviting wholeness and a sense of timelessness. Ancestral Study no 13, 7”x7” acrylic on paper. Influenced and inspired by late mentor Richard Yarde, a connection who years later is my greatest gift from my studies at Umass Amherst. This particular image is a representation of all 1024 hands that comprise the 7 generations of the 512 people that have formed and shaped your unique genetic imprint. You exist in the center of the golden Vesica Piscis. It is a portal into ancestry both past and future, spanning seven generations in both directions of linear time. Working with this imagery connects the viewer with the whole of humanity and what’s known as Seven Generations principle: a sacred philosophy honored by many indigenous cultures, a vital code of ethics that is crying out to be remembered.  Ouroboros is one of the oldest mystical symbols in the world. While the etymology comes from the Greek for “tail eater”, ouroboros has been depicted as early as 1600 BC in ancient Egypt and is even included in King Tut’s tomb.
The premise of a snake or dragon consuming its own tail symbolizes wholeness and infinity; it speaks to the natural cycle of destruction and creation, representing the unity of all things material and spiritual, which never disappear but perpetually change form. In Jungian psychology, ouroboros is an archetype of the process of individuation. One of Jung’s most frequently quoted phrases that I often reference in my teaching speaks beautifully to this phenomena: “Until we make the unconscious conscious, it will rule our lives and we will call it fate.” Individuation is the process of bringing the unconscious parts of ourselves to light; a welcoming in of all the aspects of ourselves that have been repressed or denied: individually, culturally, societally. Through this process of excavation, illumination, and integration of these denied parts- the self that feels inadequate, the self that feels ashamed, the self that compartmentalizes feelings, the self that feels like a burden to others, the creative self, the playful self, and so on...we call back our Soul’s divine birthright to inner harmony, wholeness, and connection to the unified field of Grace. This piece came to me like a flash of lightning and was completed over Easter weekend on 4/4. It features one of my beeswax ancestral mandala studies, heavily inspired by late mentor Richard Yarde, and includes 44 beings/88 hands- numbers that weren’t pre-planned, but ones that I learned afterward hold powerful vibrations of healing. 20”x20”, mixed media on canvas, 2021Ouroboros is one of the oldest mystical symbols in the world. While the etymology comes from the Greek for “tail eater”, ouroboros has been depicted as early as 1600 BC in ancient Egypt and is even included in King Tut’s tomb. The premise of a snake or dragon consuming its own tail symbolizes wholeness and infinity; it speaks to the natural cycle of destruction and creation, representing the unity of all things material and spiritual, which never disappear but perpetually change form. In Jungian psychology, ouroboros is an archetype of the process of individuation. One of Jung’s most frequently quoted phrases that I often reference in my teaching speaks beautifully to this phenomena: “Until we make the unconscious conscious, it will rule our lives and we will call it fate.” Individuation is the process of bringing the unconscious parts of ourselves to light; a welcoming in of all the aspects of ourselves that have been repressed or denied: individually, culturally, societally. Through this process of excavation, illumination, and integration of these denied parts- the self that feels inadequate, the self that feels ashamed, the self that compartmentalizes feelings, the self that feels like a burden to others, the creative self, the playful self, and so on...we call back our Soul’s divine birthright to inner harmony, wholeness, and connection to the unified field of Grace. This piece came to me like a flash of lightning and was completed over Easter weekend on 4/4. It features one of my beeswax ancestral mandala studies, heavily inspired by late mentor Richard Yarde, and includes 44 beings/88 hands- numbers that weren’t pre-planned, but ones that I learned afterward hold powerful vibrations of healing. 20”x20”, mixed media on canvas, 2021 |
Joanna Elizabeth
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